TV Review: Homeland S04E07 “Redux”

For its second half opener, Homeland rummaged in its closet of unsentimental belongings to revive three mementos of its capriciously morbid past. “Redux” brought back the ‘psychological’ sub-genre*, engrossedly and palpably pursuing Carrie’s drug-induced breakdown that played well on the twisted ending. Nicholas Brody is brought back to life, briefly and beguilingly. Similar to its preceding episode, E07 incorporated the familiar cynics of its pre-S04 emotional baggage. But unlike E06’s heart-stopping payoff, “Redux” left a helpless Carrie Mathison to her rock bottom this season, triggered by Homeland-ian plot devices that downplayed her fascinating psychology with questionable intentions. “Redux” seemed the ripe moment to explore Carrie’s eroded callousness. But I didn’t expect hallucinogens to be involved. Not like this.

 

Tasneem Qureshi and Dennis Boyd are professional and dirty players, this time infringing Carrie’s medicines. But why? To rattle the mental health of the challenged Kabul Station Chief as part of a demolition job? I hope it doesn’t reach the point where Dennis is so good in his gift that Carrie and co. would be blindsided on what grave plot Tasneem (and others) is conspiring. (Peter Quinn should better catch this duck before he quacks anew.) Dennis also secretly manipulated his wife by stopping her from vacating the Pakistan ambassador post, but for Martha, it’s an empowering bid to galvanize her position of power to CIA Director Andrew Lockhart. If there’s anything E07 had done aside from destabilizing Carrie’s core, it is to set up the prickly political mantle between Pakistan and the USA. Saul Berenson would soon join the conference but televised, distraught and begging against whatever demands the Taliban proposed for his release. As the supporting characters collide, I’m eager to see a recuperated Carrie back in the central conflict of saving Saul after she had unknowingly gravitated towards the black hole. She embraced the hallucinogen’s surreal reality, cradling her in a precarious situation that will not only make the ISI question her sanity but also utilize this new intelligence to their advantage.

 

But what does the ISI really want to do with Carrie?  She was never a target in Sandy Bachman’s murder but why do they have to meddle with her state of mind? Better yet, what’s the supposed outcome of dedicating an episode to Carrie’s hallucinatory descent?

 

For what it’s worth, “Redux” was tremendously engaged in vividly portraying an emphatic Carrie through her heightened sensations as a result of the hallucinogen (along with the seeping manic post-E06). But the distorted visuals and amplified sounds were no match to the unfortunate delusion of seeing and believing that Brody’s alive. The suppressed longing and love that explodes from her is a bewildering testament (and reflection) on why Carrie loves Brody so much, until now. In the past episodes, Carrie visited Brody’s old house with their daughter (“Trylon and Perisphere”) and confided Aayan half-truths about Brody (“About a Boy”) but “Redux” is the first time we see her mourn for him. Though Aasar’s words led her to believe Brody’s alive, such confrontation would not do if Carrie’s psychological condition is imperiled. “Redux” initiates on addressing Carrie’s culpability in Brody’s death (“I was willing to let you die.”) but I want her to do so in her stable state (no drugs involved). If Carrie forgets what transpired in “Redux”, then the hallucination sequence is narratively unrewarding, except for making Carrie’s senses tangible (and more understandable) to viewers.

 

But Brody isn’t the only one whom Carrie hallucinated. She recognizes Quinn’s caring for her, although agitatedly when she saw him as the hospital guard accosting her. (“Oh. Because you care about me.” is her provoking reply to Quinn’s “Saul’s not the one I worry about.” in the car.) How Quinn is Carrie’s ‘bad news’ was captured here: Carrie needs him for the job but she doesn’t ask for his unsolicited judgments. Quinn is concerned on Carrie’s well-being but he’s communicating it poorly. He’s forcing Carrie to ruminate the ‘rabbit hole’ but she just can’t commit to the introspection yet (“You think I have to listen to that s*** all over again?!”). Carrie’s acknowledgement of her auto-piloted amorality could be her arc’s endgame this season, along with dropping her Brody baggage. How she will eventually open herself up is left in the fate of the remaining episodes.

 

Defined as ‘brought back’, “Redux” doesn’t only return a beloved character (it’s always terrific to see Lewis but he wasn’t really the Brody we know in his brief appearance) but also dwells in its familiar trope of dangling Carrie’s damaged psychology. For Carrie’s fragility to be shattered by a pill, how does it become purposeful to the season-long story aside from substantiating Carrie’s character drama? What is its narrative payoff in moving the show forward? While it glimpsed on her internal struggles and hyper sensory reactions, “Redux” unapologetically sends Carrie to her most helpless state and it’s frustrating that what I can only offer (or feel) as a viewer is pity. What’s also depressing is how she haplessly relieved herself by downing more pills, unaware of its aggravating effects. I did like the twist in the end but this isn’t the Carrie I want to see, no matter how flawed she is. I did like how the show brought back Brody but I don’t want Carrie to be brought back in this desolate state with drugs involved (which felt like an unruly plot device). What Carrie experienced was a disservice to her unyielding and inured character. I imagined her eventual breakdown to be purely emotional but not psychotic. Just not like this.

 

S04’s divisive episode so far, “Redux” is an anti-climatic follow-up that focused on Carrie’s sanity after the explosive events in the situation room. Despite my reservations on the show’s resort to ‘bringing back’ Carrie to her shaky core, I wondered if Carrie’s resolution of Brody’s death will be treated finitely this season. Brody will always be part of the show but I don’t want Carrie’s grief to be dragged on to the next season (we are renewed!). Only five episodes are left and I hope they’ll be more satisfying than what had been of E07.

 

Quick observations:

  • The thought of Carrie actually kissing Aasar makes me uncomfortable. I don’t know if he’s involved in Tasneem’s operations but E08 should provide a better view.
  • Saul’s realization that Haissam Haqqani has a more fulfilling and happier family life than he has.
  • I wonder how my reaction would change, had I not known Damian would be back.
  • This episode trolled at me, especially the twist.
  • Dar Adal, where are you? Your BFF’s captured by terrorists. Shouldn’t you be arranging a black ops mission to save him?
  • *The psychological sub-genre is part of the show’s DNA but it was most blatant in this episode since early S03.
  • Quinn to Carrie: “You’re gonna have to talk to me sooner or later.” Happens in 2015.

 

Next Episode: “Halfway to a Donut”

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2 thoughts on “TV Review: Homeland S04E07 “Redux”

  1. Pingback: TV Review: Homeland S04E08 “Halfway to a Donut” | thenewalphabet

  2. Pingback: “Shakespearean Frustration”: Thoughts on Homeland PaleyFest and S05 Spoilers | thenewalphabet

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